Say hello to new things such as the smokeless Popeye and other around the world innovations!
Friday, 29 January 2021
The Yoichiro Minami Baruuba Books
Saturday, 23 January 2021
The case against extensions of both Copyrights and Trademarks
As always the case, a majority of both entertainment corporations and middlemen abuse an idea and its extensions, to the point of their subsequent works becoming outright train wrecks. Another scenario is that both profit from an idea for a short while and sit on it very abusively for a long time, even hundreds of years after an actual live creator creates it for both, or has sold it to both and passes later on.
Then, there is the fairly agitating problem with visibly orphaned and abandoned works. Not only are such orphaned and abandoned works not in the public domain, they don’t have any of the original human owners left remaining. Fortunately, some of these works are already in the public domain for most nations, regardless of how recent their public domain status is, while various others have become what I can call ‘adopted works’.
A surprisingly good (though rarely reported) example of a franchise being adopted by a huge fan of pulp fiction is the Kaspa series, much of which has only recently been released in an online paywall by its current owner, the Cajun editor Camille Cazedessus, aka Caz, while only the first two were being released within the original author’s lifetime. However, I am not allowed to scan the books as they are on the paywall much of the time, and I also only own the first Kaspa sequel instead of the original. Not helping is that the first two published Kaspa stories aren’t becoming public domain until 2036 in much of the world. That, and the franchise’s titular character being both registered and trademarked by said current owner, so nah.
Another awesome example is Isamu Of The Wilderness, which originated as a prototypical graphic novel series distributed by Shueisha in the early 1950s. Unfortunately, such a graphic novel series consists of only three bland volumes, mostly due to Souji Yamakawa being a considerable perfectionist who begrudged a lot about the (somewhat wrong) executive meddling. Only in 1971 did a much more popular (and technically superior on all levels to the original) manga version appear in Weekly Shōnen Jump to last for three years. It was Souji who was gradually softening his still demeaning stance on manga, just by the time that Noboru Kawasaki met his own idol and thereafter drew the manga version, while Souji himself wrote it all along the way of the Rio Grande River. The manga itself spawned a considerably much lighter and softer, denser and wackier anime version made by the esteemed anime studio TMS entertainment, a few decades before it got acquired by video game giant Sega. By the time Souji Yamakawa died a week before Christmas Day 1992, Noboru Kawasaki technically owns his own studio, while Shueisha still owns and distributes the rest of it.
Thursday, 21 January 2021
Meet Zenith!
From the JJ Nevins site.
Zenith the Albino, in case you don't know, is one of many enemies of Sexton Blake. This site aims to provide some information about him. (The images above and below, by the way, are taken from Savoy Books' site on Zenith, and are copyrighted by them.)
Zenith, as I said, is an enemy of Sexton Blake. If you aren't familiar with Blake, you should really go my page on him (the link is given right above) to familiarize yourself with Blake and provide the context for the following. If you are familiar with Blake, well, go to the page anyhow, you might learn something.This coincidence made an impression upon my mind, and when I needed a central figure not quite so banal as Blake for the Union Jack series, I re-created this albino fellow 'moulded nearer to the heart's desire.'
From this encounter came the immortal Zenith. Jack Adrian, in the Sexton Blake Wins anthology, describes Zenith nicely: snow-white hair, leprous skin, pink-irised eyes; his opium-soaked cigarettes, ivory-headed swordstick, melancholy disposition (in this, not unlike his creator), and the bizarre habit (considering he was an eternal fugitive from the police) of wearing, even in broad daylight, immaculate evening dress.
'Zenith's crimson-irised eyes were reflective. He stood there long of leg and broad of shoulder, immaculately dressed, groomed to perfection, cold as an icicle; and dangerous; transcendently dangerous.'
Monsieur Zenith is an albino. Craving excitement because it brings forgetfulness; thrust into crime by his abnormality, by his illimitable egotism, by the caprice of his recalcitrant nature, he finds himself involved in the quest for a mysterious something on the finding of which life--and more than life--depends.
Indifferent to gratitude or reward, asserting--and, perhaps, believing--that he seeks only the final diversion of the damned, to dice with death; threatened on the one hand by the police, and, on the other, by political chicanery, this strange creature crashes through.
Monsieur Zenith is the strangest, most bizarre, character ever devised in thriller fiction.
Tuesday, 19 January 2021
Notes for How far can The Jungle Book: Mowgli’s Stories decay
Sunday, 17 January 2021
How far can The Jungle Book: Mowgli’s Stories Decay?
Friday, 15 January 2021
My favourite Pulp Villains!
These are my favourite pulp villains from the JJ Nevins site.
Antinea. Antinea was created by Pierre Benoit and appeared in L'Atlantide (1919). Antinea was not a serial character, but Benoit wrote nearly fifty novels, all with dangerous heroines whose names began with "A" and who usually caused the death of the hero(es) devoted to them. Antinea is typical of Benoit's female characters, and so I'm using her as a stand-in for the rest of Benoit's output. She is the "Mistress of Atlantis," a Lost Empire in the middle of the Sahara Desert which survived up to the present. She is a cold, hard, cruel woman, surrounded by leopards and a harem of helpless, devoted men. Antinea is found by two French Army officers lost in the Sahara. Things end badly, with the officers being seduced by Antinea nd then turned into metal statues. It's all very H. Rider Haggardian, though much better written (and critically respected) than most Haggard-influenced literature.
Mâh le Sinistre. Mâh le Sinistre was created by Charles Robert-Dumas and appeared in The Lead Idol (1935). Mâh le Sinistre is a Mongolian secret agent for Germany, one of the German Bolsheviks' best agents in the war with the decadent West. Mâh is a brute and a fanatic, someone who not only disembowels his enemies, typically in seedy hotels in the poorer parts of Paris, but who also takes great pleasure in doing so. Mâh works by day as an exporter in Paris, but by night he steals French military secrets and sells them to the Germans. Mâh is not only a spy but is also a master chemist, who brews up not just "Ecstasy 136," a sure-fire aphrodisiac that he uses on any white woman he desires, but also a gas capable of wiping out Paris' population in a matter of hours. His only weakness is for Muguette, a beautiful French spy who puts a bullet through Mâh's head. Mâh is, in short, a weird spin on the Yellow Peril stereotype, combining sexual threat, anti-White hatred, Red Menace, and low cunning (as opposed to the brilliance of a Fu Manchu or a Kiang-Ho.)
Waldo, perhaps surprisingly, had a son, who had all of his talents but never turned bad. Introduced in "Waldo the Wonder Boy," Nelson Lee Library (Second Series) #175 (7 September 1929), Stanley Waldo explained that until recently he hadn't known that he had a father, but Rupert, at this point the law-abiding "Peril Expert," had appeared in his life and brought him back to England, to attend school at Nelson Lee's St. Frank's College. No mention was made of Stanley Waldo later, during Rupert's final criminal phase.
Baron Bunny. Baron Bunny, created by The. Offenstetten, appeared in Baron Bunny's Erlebnisse (Baron Bunny's Experiences) #1-5, in 1922. He was one of a number of German Arsene Lupin lifts.
Khyzil Kaya. Khyzil Kaya was created by Guy d'Armen and appeared in Les Géants du Lac Noir (The Giants of the Dark Lake, 1931). Kaya was a Yellow Peril type who ruled a secret city; the city was protected by giant spiders, giant microbes, and giant mutants.
Amarbal was created by the Australian writer Joyce Vincent and appeared in The Celestial Hand: A Sensational Story (1903). Amarbal is another of those very interesting prototypes of Fu Manchu. In this case Amarbal is a German-Chinese "half-caste" who leads a Chinese invasion of Australia. Amarbal is an educated man whose driving ambition is to "lead the Chinese to universal dominion."
Mendax. Mendax was created by Guy d'Armen and appeared in Les Troglodytes du Mont Everest (The Troglodytes of Mount Everest, 1929). Mendax, a Yellow Peril type, threatened the world and ransomed ocean lineers with his technologically advanced plane/submarine.
Monday, 11 January 2021
The Doc Savage Brat Pack
From the JJ Nevins site.
Lobangu. Lobangu, created by Cecil Hayter, first appeared in Union Jack Library in 1906 in "The Slave Market," and later appeared in the Brave and Bold Weekly, appearing in both magazines for at least a decade. In 1922 he was revived by Rex Hardinge in the pages of Union Jack, and he appeared there, as well as in Cheer Boys Cheer and a few other magazines, through the 1930s. Lobangu is a mighty African warrior of the Umslopogaas/Lobangu stripe. He is the chief of the Etbaia tribe of Zulus and began as the faithful native sidekick to Sir Richard "Spots" Losely, Her Majesty's Governor of the Province of Musardo, a kind of Sanders of the River who was responsible for maintaining the peace and British rule (not necessarily in that order) in Lobangu's section of Africa. (Losely had been Sexton Blake's fag at school and remained his close friend.) Later on Lobangu became the lead in various stories, becoming a noble chieftain, adventurer, and hero in his own right. When Blake came to Africa he usually was helped by Lobangu, although on at least one occasion (Union Jack: Second Series #1354, 20 September 1930) Lobangu went to England. Lobangu also teamed up at least once with Gordon Keith (see his entry in the Detectives section), in Brave and Bold Weekly #227, 27 April 1907. There was also at least one other story, the "In Search of the City of Gold" sequence in Cheer Boys Cheer in 1913, #28-52, which had Lobangu and Losely active on their own, fighting against rebel Senoussi in the desert city of Kupra.
Satanas. Thanks to Marc Madouraud I can provide some small information on this character. He was created by Gabriel Bernard and appeared in a novel (not a series of novels, as I originally wrote; thanks to Marc Madouraud for correcting my error) in 1922; the novel was about a group of telepaths. The novel's title was Satanas, with the chapters' titles being Satanas ou la TSF humaine ou la télépathie (Satanas or the Human TSF or the Telepathy), Les Chevaliers de l’Etoile (The Chevalier of the Star), L’Énigme du désert (The Riddle of the Desert), La Cité des prodiges (The Riddle of the Prodigies), Le Secret de Patrice Oriel (The Secret of Patrice Oriel).
Nace, Lee. Created by Lester Dent, of Doc Savage fame, Lee Nace, the "Blond Adder," appeared in Ten Detective Aces in 1934. Nace was a scientific detective and user of gadgets, a tall, gaunt, solemn man who dealt with weird and almost unnatural villains--angry skeletons, crazed murderers who lined caves with the skulls of their victims, mad scientists who could make men explode with their death rays, and a master villain known as the Green Skull. Nace was "very long, bony, blue-eyed," with a scar in the shape of an adder on his forehead. ("A Chinaman had once hit Nace on the forehead with a knife hilt which bore a serpent carving.")
Savage, Doc. Doc Savage, one of the two or three most famous pulp heroes, was...well, there are so many other good web sites on Doc that I just don't feel like doing, poorly, what so many others have done well. So, as with a few other, major figures, like The Shadow, I'll limit myself to a brief recap and then send you on your way to other, better sites devoted solely to Doc.
Doc Savage was created by Henry Ralston, John Nanovic, and most especially Lester Dent, and appeared in a large number of novels, short stories, radio shows, and movies, beginning with "The Man of Bronze" in Doc Savage Magazine #1, in March 1933. He is a "man of superhuman strength and protean genius, whose life is dedicated to the destruction of evildoers." Doc is in the best physical shape possible for humans and knows everything about everything; in the words of one critic, he is a "walking compendium of mankind's total knowledge."
Clark Savage was raised by his widower father to be the perfect human, taught by a series of experts in every field ranging from "Indian fakirs to Yale physicists, from circus acrobats to jungle trackers." He was especially trained in surgery, and became the world's best (hence his nickname). His headquarters and home was his Fortress of Solitude, a superfortress located on a desolate island in the far north, beyond the Arctic Circle. The Fortress was packed with his technologically advanced equipment and weapons, and served as a place for Doc to periodically retire to, to meditate and invent.
His New York headquarters was the 86th floor of "one of New York's tallest buildings," in all likelihood the Empire State Building. From there, and from a warehouse on the Hudson River, owned by the "Hidalgo Trading Company," Doc and his assistants fought a never-ending war on crime, funded by a massive supply of gold hidden in a lost valley in Central America guarded over by the descendants of the Mayans. He was assisted by six people, all of whom were exceptionally capable in their own right. Monk Mayfair is one of the world's foremost chemists and a millionaire with a penthouse lab near Wall Street; he is also an ugly, ape-like man with a taste for the ladies (he never forgets a pair of legs once he sees them). Brigadier General Theodore Marley "Ham" Brooks, a British-acting American (thanks to Win Eckert for correcting my error here), is one of the best lawyers in the world, a Harvard graduate with a sharp tongue. He is also a sharp dresser, he's tall, handsome and slender, he carries and uses a sword cane, and he carries on a long-running feud with Monk. John "Renny" Renwick is a top civil engineer, a tall man (almost as big as Doc) with enormous fists and great strength. Major Thomas J. "Long Tom" Roberts is an "electrical wizard," always looking pale and unhealthy and always as vigorous as any five men. William Harper "Johnny" Littlejohn is an expert archaeologist. And, finally, there's Patricia "Pat" Savage, Doc's cousin and a stalwart adventurer her ownself.
Doc was not superhuman, but was at the peak of human ability, not just physically but mentally. In addition to his physical skills and expertise in every field imaginable, Doc was also a great inventor, capable of coming up with just about any sort of weapon or instrument or air/sea/land craft. Doc was also so good at surgery that he'd created a crime college to which he brought criminals so that he could operate on them and remove their evil impulses.
Doc's Rogues Gallery was not quite so memorable as the Shadow's but he did have one very memorable enemy: John Sunlight, the only man to survive a bout with Doc and return for a second try, and the only man to ever break into the Fortress of Solitude.
All of that said, go to these sites for better treatments of Doc and his assistants.
Zigomar (II). Zigomar (II) was created by Nikola Navojev and Branko Vidic and appeared in Mikijevo carstvo, a Serbian magazine appearing in 1939. Zigomar (II) was a masked avenger type not dissimilar to the Phantom; in the words of one critic, Zigomar (II) also wore a costume clinging tightly to his body, and a mask on his face; on his hand was an engraved ring with an engraved letter Z. But unlike Phantom whose inseparable companion was the tamed wolf Devil, this hero, Zigomar, adorned additionally by a black cape, had a different companion, a short Chinese named Chi Yang.
Atalanta. This was another Robert Kraft character, appearing in Atalanta (1904) and Atalanta, the Secrets of the Slave Lake (1911). Atalanta was a German adventuress active in America and Canada. Some of her stories were titled, "A Nightly Visitor," "The Heiress of Moorfield," "The Vultures of the Sea," "At the Court of the Ox King," "In Lemuria," "In Flight," "At the Mountain Hermits," "Fred Barkor," "The Death Ship," and "Gentlemen of the Island."
Atalanta. This was the French version of the German heroine. In France she appeared in Atalanta, La Femme Enigmatique (Atalanta, the Enigmatic Woman) #1-80, from 1912-1913.
Anthony, Jim. Jim Anthony was created by Robert Leslie Bellem & W.T. Ballard and appeared in Super-Detective from 1940 to 1943, starting with "Dealer in Death" in October 1940. He was half Irish and half Native American and was a…well, Doc Savage “homage.” He used lots of gadgets and unlike Doc Savage had an eye for the ladies.
In response to my request for more information on Anthony, Ed Love, a gentleman and scholar, sent me this:Jim Anthony: swarthy half Comanche and half Irish, left a fortune by his father, chief of which seems to be the newspaper Daily Star. He was probably the most successful of the doc savage wannabes lasting three years and some twenty five stories (according to Pulp Review vol 1, #2). the best description of Jim comes from the text itself. "Mark of the Spider," 1942: "Anthony was a murder man of International repute. Not the murderer, of course, but the hunter of men, the seeker of killers. This was his major hobby, homicide, though an amazing mind and physical perfection, allowed him tremendous insight into fully half a hundred of the other -ologies usually assumed by college professors alone. Possession of one of America's major fortunes was always an advantage - for Jim Anthony charged no fees, and consequently was called all over the world on interesting cases."
In this novel alone he displays knowledge of criminal and general psychology as well as forensics. In his cases, he was often assisted by freckled aviator tom gentry. or as Jim would describe their relationship:
"Friend? My God, more than friend! They'd grown up together, they'd been all over the world together, there were a million and one intimate experiences shared that made them closer than brothers, a thousand adventures, hardships, battles where they had fought back to back against hard odds, successes that were so much sweeter because they were won together." Since the pulp was part of the spicy line and it's author was Dan Turner's scribe you got situations that would make doc savage blush. when confronted with a scantily clad woman:
"Anthony was no better and no worse than other men, he was no plaster saint. Blood that flowed in his veins could race hotly, emotions common to others were his as well. There was a heady scent about her, filling his nostrils, not a mere perfume, but an unnameable, mysterious something that belongs to all beautiful women. Her eyes, lids half lowered, were at once a challenge and an expectancy, deep brown, almost black, flecked with dancing little lights. Her lips were full, deep red, moist and parted."
You wouldn't find this kind of passion (lust?) in the doc novels.
Saturday, 9 January 2021
The Jungle Book Tv Series Adaptations
Thursday, 7 January 2021
The Jungle Book manga adaptations
Tuesday, 5 January 2021
Sawmill Alley Hunters: Characters
The characters of Yoshimasa Ikeda’s Sawmill Alley Hunters
Joseph Wilton: A proud and arrogant poacher from Chicago, Joseph Wilton has been hunting bears since he was a teen labourer. Later on, he poached a bunch of lions in the troubled borders between Congo Kinshasa, Rwanda and Uganda, plus a bunch of hungry, starving tigers in both Sumatra, Indonesia and the Malay Peninsula.
Frank McConaughey: Joseph Wilton’s friend, also from Chicago.
The Recurring Characters
Jibril Ali Majid: A Malaysian of Mandailing descent, Jibril saw his wife and teenaged daughter get attacked by a hungry, starving tiger, who unfortunately lost his old dad to cruel poachers. He surely knows that, as revenge isn’t totally good, he frankly tries to tell Joseph about leaving the hungry, raiding tigers alone, but Joseph never really cares about anything. Instead, he then shoos off the main tiger and reluctantly shoots him twice onto his vulnerable belly, while Joseph, much to his dismayed confusion, rips off the poor tiger’s head, slices off his tail and cuts off all the four legs out of his body.
Abu Hassan: Jibril’s Johor Malay friend.
The Named Animals
Dakhm: Dakhm is a cunning, erudite Bornean Orangutan trying to survive being attacked by poachers in Sarawak. Fortunately, after he was drunk on honey while being unhappily trapped in a crate, he is reluctantly sent off to an old New York State zoo, although he sadly misses his own jungle homeland as a result. His name meant ‘bulky’ in Arabic, fitting his big cheeked dominant male status.
Muftaris: Muftaris was the male tiger of ‘The Malaysian Beast Files’. His name meant ‘devourer’ in Arabic, decently fitting his occasional man eating periods when he was injured and there are too many raiding humans around. He gained his moniker when he and his old mum Sharisa got injured by really mean poachers, who killed the former, but not the latter, as it was she who herself partially ate the weakest poacher out of starvation and ironically survived for a while.
Khalsa: Khalsa was a cunning male leopard, whose would be mate was Jazeera.
Fazaea: Fazaea was a foulmouthed and dangerous Malayan hairy rhinoceros. His name meant ‘scarecrow’ in Arabic, fitting his hairy body.
Faisal: Faisal is a scary, though cute looking, Malayan sun bear.
Urutu: Urutu was a strong old lion who had survived battles with fellow lions, but not so with vile poachers regardless of nationality, skin colour or ethnicity. His name meant ‘pain’ in Kinyarwanda, fitting his dangerous and strong personality rather well. He gained his moniker when he unhappily lost his fellow lion friends, themselves ironically old bachelors, and lot of his favourite prey to poachers. As a result, he was hungrily looking for more food, but reluctantly found civilian humans to be a sucky snack, since there were poachers nearby. Unfortunately, poor Urutu, along with his estranged grownup offspring, was shot in the belly by Joseph and then had his fur pelt being sent into the Chicago Museum later on. He had two older named daughters (Ubwiza and Umudamu) and a younger named son (Ubujura), who are all from a favourite mate of his.
Uburakari: A grouchy yet vulnerable black rhinoceros, Uburakari frankly didn’t care about anyone except for his rather poor sight. His name meant ‘foul temper’ in Kinyarwanda, fitting his survival induced personality.
The Gonya (Ingona) mafia: A mafia of Nile crocodiles led by croc boss Igipimo, whose name meant ‘scale’ in Kinyarwanda. They were shot by Joseph and his gang.