Friday 29 January 2021

The Yoichiro Minami Baruuba Books

The Baruuba Series 

Yoshimasa Ikeda’s Original Baruuba series in Chronological Order
The Jungle Orphan (密林の孤児) - will be reprinted as Baruuba The Jungle Orphan (密林の孤児バルーバ)
The One Eyed Golden Lion (片眼の黄金獅子) - will be reprinted as Baruuba And The One Eyed Golden Lion (バルーバと片眼の黄金獅子)
The Mighty Baruuba (巨人バルーバー) or The Phantom Kingdom (魔境の怪人) - will be reprinted as Baruuba And The Underworld’s Monsters (バルーバと地底の魔境の怪人) 
The Kingdom On The Rocks (岩上の怪人) - Baruuba is a recurring character in the story that started it all in production order. Nonetheless, said story, a working prototype, still counts as a loose part of the older canon. 
Baruuba The Iron Man (鉄人バルーバ) or The Ironman’s Fingerprints (鉄人の指紋) - will be reprinted as The Fingerprints of Ironman Baruuba (鉄人バルーバの指紋)
The Black Panther Kingdom (魔境の黒豹) - will be reprinted as Baruuba And The Black Panther Kingdom (バルーバと魔境の黒豹)
The Treasure Pursuit (秘宝を追って) - will be reprinted as Baruuba’s Treaure Pursuit (バルーバの秘宝を追って) 

The Abridged Goichi Yanagawa Illustrated Novels for grades 2-4 
The Jungle King (密林の王者) 
A Girl In The Jungle (密林の少女)
A Duel In The Jungle (密林の決闘) 
The Phantom Monsters on the Rocks (地底の怪人) 
The Mysterious Prisoner (怪奇境の虜) 
The Jungle Thief (密林の怪塔) 
The Jewel Valley Terror (宝石谷の恐怖) 
The Magical Monument (魔境の金字塔) 

The Abridged Remake Novels for grades 2-4 (in chronological order) 
The Jungle Orphan (密林の孤児) 
The Phantom Kingdom (魔境の怪人) 

The Abridged Compilation Novel for grades 2-4 
The Mighty Baruuba (巨人バルーバー) (with Omizu Suzuki) 


Saturday 23 January 2021

The case against extensions of both Copyrights and Trademarks

As always the case, a majority of both entertainment corporations and middlemen abuse an idea and its extensions, to the point of their subsequent works becoming outright train wrecks. Another scenario is that both profit from an idea for a short while and sit on it very abusively for a long time, even hundreds of years after an actual live creator creates it for both, or has sold it to both and passes later on.

Then, there is the fairly agitating problem with visibly orphaned and abandoned works. Not only are such orphaned and abandoned works not in the public domain, they don’t have any of the original human owners left remaining. Fortunately, some of these works are already in the public domain for most nations, regardless of how recent their public domain status is, while various others have become what I can call ‘adopted works’. 

A surprisingly good (though rarely reported) example of a franchise being adopted by a huge fan of pulp fiction is the Kaspa series, much of which has only recently been released in an online paywall by its current owner, the Cajun editor Camille Cazedessus, aka Caz, while only the first two were being released within the original author’s lifetime. However, I am not allowed to scan the books as they are on the paywall much of the time, and I also only own the first Kaspa sequel instead of the original. Not helping is that the first two published Kaspa stories aren’t becoming public domain until 2036 in much of the world. That, and the franchise’s titular character being both registered and trademarked by said current owner, so nah. 

Another awesome example is Isamu Of The Wilderness, which originated as a prototypical graphic novel series distributed by Shueisha in the early 1950s. Unfortunately, such a graphic novel series consists of only three bland volumes, mostly due to Souji Yamakawa being a considerable perfectionist who begrudged a lot about the (somewhat wrong) executive meddling. Only in 1971 did a much more popular (and technically superior on all levels to the original) manga version appear in Weekly Shōnen Jump to last for three years. It was Souji who was gradually softening his still demeaning stance on manga, just by the time that Noboru Kawasaki met his own idol and thereafter drew the manga version, while Souji himself wrote it all along the way of the Rio Grande River. The manga itself spawned a considerably much lighter and softer, denser and wackier anime version made by the esteemed anime studio TMS entertainment, a few decades before it got acquired by video game giant Sega. By the time Souji Yamakawa died a week before Christmas Day 1992, Noboru Kawasaki technically owns his own studio, while Shueisha still owns and distributes the rest of it. 


Thursday 21 January 2021

Meet Zenith!

From the JJ Nevins site.

Zenith the Albino, in case you don't know, is one of many enemies of Sexton Blake. This site aims to provide some information about him. (The images above and below, by the way, are taken from Savoy Books' site on Zenith, and are copyrighted by them.)

Zenith, as I said, is an enemy of Sexton Blake. If you aren't familiar with Blake, you should really go my page on him (the link is given right above) to familiarize yourself with Blake and provide the context for the following. If you are familiar with Blake, well, go to the page anyhow, you might learn something.

Now then. Zenith the Albino was not Blake's arch-enemy, Blake didn't really have one of those, having too many recurring enemies for any one of them to be supreme, but Zenith is the best- and most fondly remembered of all of Blake's enemies. Zenith was created by "Anthony Skene," aka George Norman Phillips, and debuted in "A Duel to the Death," Union Jack #837, 21 November 1919. Phillips, by his own account, was inspired to create Zenith in this way:

In 1913, I encountered, in the West End, a true albino, a man of about fifty-five. He was a slovenly fellow: fingers stained with tobacco, clothes soiled by dropped food. Yet he was dressed expensively, and had about him a look of adequacy. I should have forgotten him in a day or so; but when, an hour afterwards and five miles away, I sat down to have my lunch, he walked in to the restaurant and sat himself within a few feet of me.

This coincidence made an impression upon my mind, and when I needed
a central figure not quite so banal as Blake for the Union Jack series, I re-created this albino fellow 'moulded nearer to the heart's desire.'

From this encounter came the immortal Zenith. Jack Adrian, in the Sexton Blake Wins anthology, describes Zenith nicely:
snow-white hair, leprous skin, pink-irised eyes; his opium-soaked cigarettes, ivory-headed swordstick, melancholy disposition (in this, not unlike his creator), and the bizarre habit (considering he was an eternal fugitive from the police) of wearing, even in broad daylight, immaculate evening dress.
To quote from the text and the jacket copy of Phillips' 1936 novel, Monsieur Zenith:
'Zenith's crimson-irised eyes were reflective. He stood there long of leg and broad of shoulder, immaculately dressed, groomed to perfection, cold as an icicle; and dangerous; transcendently dangerous.'
Monsieur Zenith is an albino. Craving excitement
because it brings forgetfulness; thrust into crime by his abnormality, by his illimitable egotism, by the caprice of his recalcitrant nature, he finds himself involved in the quest for a mysterious something on the finding of which life--and more than life--depends.

Indifferent to gratitude or reward, asserting--and, perhaps, believing--that he seeks only 
the final diversion of the damned, to dice with death; threatened on the one hand by the police, and, on the other, by political chicanery, this strange creature crashes through.

Monsieur Zenith is the strangest, most bizarre, character ever devised in thriller fiction.


Zenith was a sinister individual of the "gentleman crook" variety, elegant, sophisticated, and quite lethal. He was, as mentioned, an albino, with "snowy white hair" and "rabbit pink eyes." His background was variously described as being Romanian nobility and a famous old English family, but more often it was left vague (see below), as perhaps was best. Zenith had a first-rate education, regardless of what country he came from, was a top violinist and an Olympic-level fencer, but, alas, his background and attainments did not stop him from turning bad. He smoked prodigious amounts of opium, used his own inventions for criminal ends (his infra-red binoculars were a threat to all of London's wealth, and his special drill, made of a steel unknown to science, could "perforate a hardened steel safe as a a gimlet will perforate a cardboard box"), used his sword-cane for lethal ends, and in general left a trail of broken minds, bodies, and fortunes behind him. Zenith was the admitted model for Michael Moorcock's Elric of Melniboné, and had a definite style to him; he always referred to Blake as "dear detective" and uttered one of the best villainous lines of all time: while speaking to the rude henchman of another villain Zenith said, "I would treat you as you deserve, but the blood would get on my cuffs."
Better still, I've found "The Box of Ho Sen," from Detective Weekly #8, 15 April 1933, a prime example of Zenith (and Phillips) at the top of his game. I'm going to push the Fair Use doctrine as far as it will go and provide as many good passages as I can from the story, so you can see why Zenith is just too cool for words.

Tuesday 19 January 2021

Notes for How far can The Jungle Book: Mowgli’s Stories decay

Notes for the non-WB/non-Disney Live Action variants 
*In terms of how in name only an onscreen Jungle Book adaptation can go, My Mowgli Boy surely is a huge winner. In a happy twist of irony; despite still being rather heavily vetted in its native PRC (as with everything in the country), it’s also a lot more adult than Prince of The Wolves or even Andy Serkis’ Mowgli: Legend of the Jungle, which is itself a hard achievement to follow in Hollywood. The main reason why is that Mowgli (appearing as Mo Ge Li in this version) occasionally gets drunk and sometimes cat fights his own girlfriend turned future wife. 
*The Second Jungle Book: Mowgli And Baloo is perhaps the least faithful Jungle Book: Mowgli’s Stories adaptation distributed by a major Hollywood studio. In hilarious irony, it’s ranked (in terms of being in name only) between Reitherman’s The Jungle Book and DQ’s The Jungle Book. 
*Mowgli: The New Adventures of The Jungle Book is a decent prequel to The Jungle Book: Search for The Lost Treasure. 
*The Jungle Book: The Search for The Lost Treasure is more faithful to both Jungle Books (or more specifically a few stories in each of them) than its prequel tv series.
*Prince of the Wolves is perhaps the most faithful non-WB/non-Disney live action variant out there, even though it’s largely a comedy romance for the most part. Along with My Mowgli Boy and Stephen Sommers’ The Jungle Book, it is one of the few significant onscreen adaptations of the Jungle Book story that started it all. Not even helping is that, apart from having a huge online audience primarily consisting of Southeast Asians, Taiwanese, Latin Americans and Brazilians, what most people don’t really know that the story that it’s indirectly based upon is In the Rukh, with the heroine and hero’s age gap and all. 

Notes for the non-WB/non-Disney Animated Variants 
*Even though DQ’s The Jungle Book is considerably lighter than most other adaptations (which are still family friendly to begin with), it’s not as (heavily) in name only as My Mowgli Boy. 
*While Wolf Boy Ken is likely inspired more by Wambi the Jungle Boy than by the actual Jungle Books, it is still a modest international success which stars a wild boy and the heroic wolves who raised him. 
*Golden Films’ The Jungle Book, although pragmatically based on Mowgli’s Brothers and a few other bits in The Jungle Book, has the palest 20th Century variant of Mowgli out there. Unfortunate implications indeed. 
*Despite being from the UK, Bevanfield Films’ The Jungle Book is the worst Jungle Book: Mowgli’s Stories onscreen adaptation by far. 
*Saban’s The Jungle Book is perhaps the most faithful Jungle Book: Mowgli’s Stories adaptation distributed by a Hollywood studio other than WB. 
*Despite being made in Soviet Union era Russia, The Adventures of Mowgli is the most faithful of the 20th Century Jungle Book: Mowgli’s Stories adaptations onscreen. It is based upon both Jungle Books as well as having a few elements coming from In The Rukh, such as Mowgli being in his twenties for significant amounts of the fifth and final part. 
*In terms of being faithful to the original, Jungle King Saro is perhaps an all time winner for a crapload of questionable reasons! Being based on both Jungle Books, it features the most questionable onscreen depictions of the otherwise competent Man Villagers on record, which surely said it all, as the show was indeed filled with critical research failures galore. 

Notes for MGM, Netflix and Warner Bros Variants
*Zoltan Korda’s The Jungle Book is the least faithful of the MGM, Netflix and Warner Bros variants. Funnily enough, it is the first onscreen Jungle Book adaptation based primarily (albeit rather loosely) on The Second Jungle Book (mingling awkwardly with a few elements of The Jungle Book) and features the inspiration behind King Louie and King Larry, an orangutan who leads the Bandar Log group of fellow primates. 
*Mowgli: Legend of the Jungle is the darkest and edgiest Jungle Book adaptation co-distributed by a pair of major Hollywood studios, although it is based pragmatically on The Jungle Book with a few elements coming from The Second Jungle Book. 
*The Jungle Book: Mowgli’s Brothers, although based on a few bits of The Jungle Book (but primarily Mowgli’s Brothers), is perhaps the most faithful Jungle Book: Mowgli’s Stories adaptation distributed by a major Hollywood studio. 

Notes for Disney Variants 
*Despite its own famously troubled production history, Reitherman’s The Jungle Book is surprisingly less ‘in name only’ than two closely ranked deviants, The Second Jungle Book: Mowgli And Baloo and DQ’s The Jungle Book. 
*The Jungle Book 2, although a rather weak and often contentious sequel, is actually a bit more faithful to Kipling’s Jungle Books (but mostly Leaving In The Jungle and a few bits in The Second Jungle Book) than its predecessor. It is the only animated Disney one which doesn’t feature Louie, as the latter is (in the story) implied to be taking a holiday off. 
*Sommers’ The Jungle Book is the darkest 20th century Disney variant. Funnily enough, while it does have elements of both Jungle Books mingling with each other, it is the first significant live action Jungle Book adaptation based on In The Rukh, albeit in a rather loose fashion. 
*Favreau’s The Jungle Book and its upcoming sequel The Jungle Book 2 are amongst the darkest of the Disney variants, despite being rated PG in the US. 
*The Jungle Book: Mowgli’s Story is the most faithful of the Disney variants, being based primarily on Mowgli’s Brothers and other bits in The Jungle Book. 

Sunday 17 January 2021

How far can The Jungle Book: Mowgli’s Stories Decay?

The Adaptation Decay Scale of Jungle Book adaptations (live action and animated); not written until September 2022. 

Other Live Action Variants 
*My Mowgli Boy (rank: 1.2)
*The Second Jungle Book: Mowgli And Baloo (rank: 1.8)
*Mowgli: The New Adventures of The Jungle Book (rank: 2.8)  
*The Jungle Book: The Search For The Lost Treasure (rank: 3.6) 
*Prince of the Wolves (rank: 4.2) 

Other Animated Variants
*DQ’s The Jungle Book and its films (tied rank: 1.6) 
*Toei’s Wolf Boy Ken and its films (tied rank: 2.2)
*Golden Films’ The Jungle Book (rank: 2.6) 
*Bevanfield Films’ The Jungle Book (rank: 2.8)
*Nippon Animation’s The Jungle Book: Young Mowgli (rank: 3.6) 
*JetLag Productions’ The Jungle Book (rank: 4.0) 
*Saban’s The Jungle Book (rank: 4.4) 
*Soyuzmultfilm’s The Jungle Book: The Adventures of Mowgli (rank: 4.5) 
*Magic Images’ Jungle King Saro (rank: 4.8) 

MGM, Netflix and Warner Bros Variants 
*Zoltan Korda’s The Jungle Book (rank: 2.2)
*Andy Serkis’ Mowgli: Legend of the Jungle (rank: 3.2) 
*Chuck Jones Enterprises’ The Jungle Book: Mowgli’s Brothers (rank: 3.8) 

Disney Variants 
*Reitherman’s The Jungle Book (rank: 2.0) 
*The Jungle Book 2 (rank: 2.4)
*Sommers’ The Jungle Book (rank: 2.5)
*Favreau’s The Jungle Book 1 and 2 (tied rank: 3.0) 
*The Jungle Book: Mowgli’s Story (rank: 3.5) 


Friday 15 January 2021

My favourite Pulp Villains!

These are my favourite pulp villains from the JJ Nevins site.

Antinea. Antinea was created by Pierre Benoit and appeared in L'Atlantide (1919). Antinea was not a serial character, but Benoit wrote nearly fifty novels, all with dangerous heroines whose names began with "A" and who usually caused the death of the hero(es) devoted to them. Antinea is typical of Benoit's female characters, and so I'm using her as a stand-in for the rest of Benoit's output. She is the "Mistress of Atlantis," a Lost Empire in the middle of the Sahara Desert which survived up to the present. She is a cold, hard, cruel woman, surrounded by leopards and a harem of helpless, devoted men. Antinea is found by two French Army officers lost in the Sahara. Things end badly, with the officers being seduced by Antinea nd then turned into metal statues. It's all very H. Rider Haggardian, though much better written (and critically respected) than most Haggard-influenced literature.

Mâh le Sinistre. Mâh le Sinistre was created by Charles Robert-Dumas and appeared in The Lead Idol (1935). Mâh le Sinistre is a Mongolian secret agent for Germany, one of the German Bolsheviks' best agents in the war with the decadent West. Mâh is a brute and a fanatic, someone who not only disembowels his enemies, typically in seedy hotels in the poorer parts of Paris, but who also takes great pleasure in doing so. Mâh works by day as an exporter in Paris, but by night he steals French military secrets and sells them to the Germans. Mâh is not only a spy but is also a master chemist, who brews up not just "Ecstasy 136," a sure-fire aphrodisiac that he uses on any white woman he desires, but also a gas capable of wiping out Paris' population in a matter of hours. His only weakness is for Muguette, a beautiful French spy who puts a bullet through Mâh's head. Mâh is, in short, a weird spin on the Yellow Peril stereotype, combining sexual threat, anti-White hatred, Red Menace, and low cunning (as opposed to the brilliance of a Fu Manchu or a Kiang-Ho.)

Waldo the Wonder Man. Rupert Waldo, the "Wonder Man," was created by Edwy Searles Brooks, creator of Falcon Swift; his first appearance was in "Waldo the Wonder Man," Union Jack #794 (28 December 1918). Waldo ended his career as something of a well-heeled gentleman crook, not much different from many other of that type, but his beginning was quite different. In his debut he is not a lovable rogue, attractive despite his willing disobediance of those pesky laws. He is a murderer, having knocked off a blackmailer who was trying to get rich by threatening to reveal an awful deed in Waldo's past. Waldo is also cunning enough to frame an innocent man for the murder by planting evidence in the man's caravan. Waldo also began as a superman, with the strength of six men--he was quite capable of turning over trolley buses with his bare hands--impervious to pain due to his sufering from Morvan's disease (Syringomelia), capable of amazing recuperative feats, and able to shrug off and ignore being shot, burned, trampled, and other normally-crippling injuries. Over the decades he became better natured and his deeds less criminal and more in the line of other pulp heroes, but when he began he was a real rotter. He clashed with Nelson Lee and Sexton Blake, the latter two being responsible for his first capture, and possibly others I've been unable to discover; his relationship with them began as a standard hero-and-villain situation, but fairly quickly evolved into a much more friendly one, and as Waldo became a better and more "chivalrous" person and more heroic he became much more welcome at Blake's flat on Baker Street and Lee's lodgings on Dover Street. He even became an Deputy Commissioner of Scotland Yard, being helped by Chief Inspector Lennard (they had an amiable dislike for each other when Waldo was a crook and a genuine friendship when Waldo was on the right side of the law), and not only upstaged Sexton Blake himself on some few occasions but even took Blake's place in the pages of Detective Weekly between August 1935 and December 1937! During these times he was a Peril Expert, someone who hired out for outrageously dangerous jobs, just for the adrenaline rush of it; his advertisement ran, "If it's dangerous get it done by Waldo." He wasn't always a Peril Expert, however, and didn't stay that way. He began as "Waldo the Wonder-Man and Crook" (Union Jack #794-942), turned into the more do-gooding and less despicable "Waldo the Robin Hood of Crime" (Union Jack #948-1222), became the Peril Expert (Union Jack #1266-1490), and then reverted back to crime, though not to his murderous beginnings (Union Jack #1499-1530).

Waldo, perhaps surprisingly, had a son, who had all of his talents but never turned bad. Introduced in "Waldo the Wonder Boy," Nelson Lee Library (Second Series) #175 (7 September 1929), Stanley Waldo explained that until recently he hadn't known that he had a father, but Rupert, at this point the law-abiding "Peril Expert," had appeared in his life and brought him back to England, to attend school at Nelson Lee's St. Frank's College. No mention was made of Stanley Waldo later, during Rupert's final criminal phase.

Baron Bunny. Baron Bunny, created by The. Offenstetten, appeared in Baron Bunny's Erlebnisse (Baron Bunny's Experiences) #1-5, in 1922. He was one of a number of German Arsene Lupin lifts. 

Khyzil Kaya. Khyzil Kaya was created by Guy d'Armen and appeared in Les Géants du Lac Noir (The Giants of the Dark Lake, 1931). Kaya was a Yellow Peril type who ruled a secret city; the city was protected by giant spiders, giant microbes, and giant mutants.

Amarbal was created by the Australian writer Joyce Vincent and appeared in The Celestial Hand: A Sensational Story (1903). Amarbal is another of those very interesting prototypes of Fu Manchu. In this case Amarbal is a German-Chinese "half-caste" who leads a Chinese invasion of Australia. Amarbal is an educated man whose driving ambition is to "lead the Chinese to universal dominion."

Mendax. Mendax was created by Guy d'Armen and appeared in Les Troglodytes du Mont Everest (The Troglodytes of Mount Everest, 1929). Mendax, a Yellow Peril type, threatened the world and ransomed ocean lineers with his technologically advanced plane/submarine.


Monday 11 January 2021

The Doc Savage Brat Pack

From the JJ Nevins site.

Lobangu. Lobangu, created by Cecil Hayter, first appeared in Union Jack Library in 1906 in "The Slave Market," and later appeared in the Brave and Bold Weekly, appearing in both magazines for at least a decade. In 1922 he was revived by Rex Hardinge in the pages of Union Jack, and he appeared there, as well as in Cheer Boys Cheer and a few other magazines, through the 1930s. Lobangu is a mighty African warrior of the Umslopogaas/Lobangu stripe. He is the chief of the Etbaia tribe of Zulus and began as the faithful native sidekick to Sir Richard "Spots" Losely, Her Majesty's Governor of the Province of Musardo, a kind of Sanders of the River who was responsible for maintaining the peace and British rule (not necessarily in that order) in Lobangu's section of Africa. (Losely had been Sexton Blake's fag at school and remained his close friend.) Later on Lobangu became the lead in various stories, becoming a noble chieftain, adventurer, and hero in his own right. When Blake came to Africa he usually was helped by Lobangu, although on at least one occasion (Union Jack: Second Series #1354, 20 September 1930) Lobangu went to England. Lobangu also teamed up at least once with Gordon Keith (see his entry in the Detectives section), in Brave and Bold Weekly #227, 27 April 1907. There was also at least one other story, the "In Search of the City of Gold" sequence in Cheer Boys Cheer in 1913, #28-52, which had Lobangu and Losely active on their own, fighting against rebel Senoussi in the desert city of Kupra.

Satanas. Thanks to Marc Madouraud I can provide some small information on this character. He was created by Gabriel Bernard and appeared in a novel (not a series of novels, as I originally wrote; thanks to Marc Madouraud for correcting my error) in 1922; the novel was about a group of telepaths. The novel's title was Satanas, with the chapters' titles being Satanas ou la TSF humaine ou la télépathie (Satanas or the Human TSF or the Telepathy), Les Chevaliers de l’Etoile (The Chevalier of the Star), L’Énigme du désert (The Riddle of the Desert), La Cité des prodiges (The Riddle of the Prodigies), Le Secret de Patrice Oriel (The Secret of Patrice Oriel).

Nace, Lee. Created by Lester Dent, of Doc Savage fame, Lee Nace, the "Blond Adder," appeared in Ten Detective Aces in 1934. Nace was a scientific detective and user of gadgets, a tall, gaunt, solemn man who dealt with weird and almost unnatural villains--angry skeletons, crazed murderers who lined caves with the skulls of their victims, mad scientists who could make men explode with their death rays, and a master villain known as the Green Skull. Nace was "very long, bony, blue-eyed," with a scar in the shape of an adder on his forehead. ("A Chinaman had once hit Nace on the forehead with a knife hilt which bore a serpent carving.")

Savage, Doc. Doc Savage, one of the two or three most famous pulp heroes, was...well, there are so many other good web sites on Doc that I just don't feel like doing, poorly, what so many others have done well. So, as with a few other, major figures, like The Shadow, I'll limit myself to a brief recap and then send you on your way to other, better sites devoted solely to Doc.

Doc Savage was created by Henry Ralston, John Nanovic, and most especially Lester Dent, and appeared in a large number of novels, short stories, radio shows, and movies, beginning with "The Man of Bronze" in Doc Savage Magazine #1, in March 1933. He is a "man of superhuman strength and protean genius, whose life is dedicated to the destruction of evildoers." Doc is in the best physical shape possible for humans and knows everything about everything; in the words of one critic, he is a "walking compendium of mankind's total knowledge."

Clark Savage was raised by his widower father to be the perfect human, taught by a series of experts in every field ranging from "Indian fakirs to Yale physicists, from circus acrobats to jungle trackers." He was especially trained in surgery, and became the world's best (hence his nickname). His headquarters and home was his Fortress of Solitude, a superfortress located on a desolate island in the far north, beyond the Arctic Circle. The Fortress was packed with his technologically advanced equipment and weapons, and served as a place for Doc to periodically retire to, to meditate and invent.

His New York headquarters was the 86th floor of "one of New York's tallest buildings," in all likelihood the Empire State Building. From there, and from a warehouse on the Hudson River, owned by the "Hidalgo Trading Company," Doc and his assistants fought a never-ending war on crime, funded by a massive supply of gold hidden in a lost valley in Central America guarded over by the descendants of the Mayans. He was assisted by six people, all of whom were exceptionally capable in their own right. Monk Mayfair is one of the world's foremost chemists and a millionaire with a penthouse lab near Wall Street; he is also an ugly, ape-like man with a taste for the ladies (he never forgets a pair of legs once he sees them). Brigadier General Theodore Marley "Ham" Brooks, a British-acting American (thanks to Win Eckert for correcting my error here), is one of the best lawyers in the world, a Harvard graduate with a sharp tongue. He is also a sharp dresser, he's tall, handsome and slender, he carries and uses a sword cane, and he carries on a long-running feud with Monk. John "Renny" Renwick is a top civil engineer, a tall man (almost as big as Doc) with enormous fists and great strength. Major Thomas J. "Long Tom" Roberts is an "electrical wizard," always looking pale and unhealthy and always as vigorous as any five men. William Harper "Johnny" Littlejohn is an expert archaeologist. And, finally, there's Patricia "Pat" Savage, Doc's cousin and a stalwart adventurer her ownself.

Doc was not superhuman, but was at the peak of human ability, not just physically but mentally. In addition to his physical skills and expertise in every field imaginable, Doc was also a great inventor, capable of coming up with just about any sort of weapon or instrument or air/sea/land craft. Doc was also so good at surgery that he'd created a crime college to which he brought criminals so that he could operate on them and remove their evil impulses.

Doc's Rogues Gallery was not quite so memorable as the Shadow's but he did have one very memorable enemy: John Sunlight, the only man to survive a bout with Doc and return for a second try, and the only man to ever break into the Fortress of Solitude.


All of that said, go to these sites for better treatments of Doc and his assistants.

Zigomar (II). Zigomar (II) was created by Nikola Navojev and Branko Vidic and appeared in Mikijevo carstvo, a Serbian magazine appearing in 1939. Zigomar (II) was a masked avenger type not dissimilar to the Phantom; in the words of one critic, Zigomar (II) also wore a costume clinging tightly to his body, and a mask on his face; on his hand was an engraved ring with an engraved letter Z. But unlike Phantom whose inseparable companion was the tamed wolf Devil, this hero, Zigomar, adorned additionally by a black cape, had a different companion, a short Chinese named Chi Yang.

Atalanta. This was another Robert Kraft character, appearing in Atalanta (1904) and Atalanta, the Secrets of the Slave Lake (1911). Atalanta was a German adventuress active in America and Canada. Some of her stories were titled, "A Nightly Visitor," "The Heiress of Moorfield," "The Vultures of the Sea," "At the Court of the Ox King," "In Lemuria," "In Flight," "At the Mountain Hermits," "Fred Barkor," "The Death Ship," and "Gentlemen of the Island."

Atalanta. This was the French version of the German heroine. In France she appeared in Atalanta, La Femme Enigmatique (Atalanta, the Enigmatic Woman) #1-80, from 1912-1913.

Anthony, Jim. Jim Anthony was created by Robert Leslie Bellem & W.T. Ballard and appeared in Super-Detective from 1940 to 1943, starting with "Dealer in Death" in October 1940. He was half Irish and half Native American and was a…well, Doc Savage “homage.” He used lots of gadgets and unlike Doc Savage had an eye for the ladies.

In response to my request for more information on Anthony, Ed Love, a gentleman and scholar, sent me this:

Jim Anthony: swarthy half Comanche and half Irish, left a fortune by his father, chief of which seems to be the newspaper Daily Star. He was probably the most successful of the doc savage wannabes lasting three years and some twenty five stories (according to Pulp Review vol 1, #2). the best description of Jim comes from the text itself. "Mark of the Spider," 1942: "Anthony was a murder man of International repute. Not the murderer, of course, but the hunter of men, the seeker of killers. This was his major hobby, homicide, though an amazing mind and physical perfection, allowed him tremendous insight into fully half a hundred of the other -ologies usually assumed by college professors alone. Possession of one of America's major fortunes was always an advantage - for Jim Anthony charged no fees, and consequently was called all over the world on interesting cases."

In this novel alone he displays knowledge of criminal and general psychology as well as forensics. In his cases, he was often assisted by freckled aviator tom gentry. or as Jim would describe their relationship:

"Friend? My God, more than friend! They'd grown up together, they'd been all over the world together, there were a million and one intimate experiences shared that made them closer than brothers, a thousand adventures, hardships, battles where they had fought back to back against hard odds, successes that were so much sweeter because they were won together." Since the pulp was part of the spicy line and it's author was Dan Turner's scribe you got situations that would make doc savage blush. when confronted with a scantily clad woman:

"Anthony was no better and no worse than other men, he was no plaster saint. Blood that flowed in his veins could race hotly, emotions common to others were his as well. There was a heady scent about her, filling his nostrils, not a mere perfume, but an unnameable, mysterious something that belongs to all beautiful women. Her eyes, lids half lowered, were at once a challenge and an expectancy, deep brown, almost black, flecked with dancing little lights. Her lips were full, deep red, moist and parted."

You wouldn't find this kind of passion (lust?) in the doc novels.

Frank Allan. Frank Allan, created and written by diverse hands, appeared in Frank Allan, der Rächer der Enterbten (Frank Allan, Avenger of the Disinherited) #1-612, 1920-1932, and in another magazine of the same name for 55 issues from 1930-1932. Obviously, given his longevity, Allan was one of the major characters in German heldroman (hero fiction). He was a general do-gooder and avenger type, rather than being specialized as a pilot or detective. Naturally, he ranged around the world, fighting opium smugglers in China, submarine pirates in the Pacific, evil Indians in the American West, rioting prisoners in Sing-Sing, the masked criminal, the "Scorpion," in Gotham, the evil Chain Bearer of Krakow (no, I don't know what that means, either), jewel thieves on the Orient Express, pirates on the Yangtze, art thieves in Tokyo (who took the "urn of the Mikado," whatever that is), the Wolf of Bucharest, the Vampire of Baltimore, Mr. Satan, and much, much more. For the crossover-conscious among you, he fought with "Der Luftpirat," someone who had to have been Captain Mors in issues #472 & #491 (as far as I can tell "Der Luftpirat" was the only Allan enemy who survived for a return engagement), and he humiliated the very Holmesian "Inspector Doodle of Scotland Yard" in v2 n39.

Jack Allan. I know nothing about this character, but his magazine's title, Jack Allan, le vengeur des desherites (Jack Allan, Avenger of the Downtrodden) (16 issues published during the 1930s) interests me.


Saturday 9 January 2021

The Jungle Book Tv Series Adaptations

There are about five tv series adaptations of the Jungle Book, including fellow honorary adaptations Wolf Boy Ken and Prince of The Wolves.

Wolf Boy Ken - 86 episodes (second most prolific to date) 
The Jungle Book: Young Mowgli - 52 episodes (median) 
Mowgli: The New Adventures Of The Jungle Book - 26 episodes (low mean, second least prolific to date, tied) 
Jungle King Saro - 26 episodes (low mean, second least prolific to date, tied) 
DQ’s The Jungle Book - 156 episodes (most prolific to date) 
Prince of The Wolves - 18 episodes (least prolific to date) 
My Mowgli Boy - 50 episodes (median) 

Wolf Boy Ken seems to be based both loosely and unofficially on a Fiction House comic called Wambi the Jungle Boy, hence the likely African setting being filled with escaped circus animals. 

Interestingly, two out of five Jungle Book adaptations are only based outwardly upon the first produced Jungle Book story of them all, Rudyard Kipling’s In The Rukh. It’s goddamn surprising to see how different they are. While the Taiwanese drama is based both loosely and unofficially on Nachi Yuki’s Boku Wa Ookami, the PRC one is basically more of a Tarzan story with wolves. Both the Taiwanese show and its direct inspiration are inspired by a shapeshifting soccer manga called Totsugeki Wolf by Kazuhiko Shimamoto. 


Thursday 7 January 2021

The Jungle Book manga adaptations

The Jungle Book manga adaptations 

There are five Manga adaptations in the style of post war legends before the 21st century. 
1949: Shueisha Omoshiro Bunko’s The Jungle Book by Ken Segoshi (oldest known confirmed manga adaptation in the cartoony post war manga style) 
1953: Takao Ito’s The Jungle Book
1957: Kazuo Hatakeyama’s The Jungle Book 
1958: Kodansha’s The Jungle Book by Fujiko Fujio 
1961-62: Kyuuta Ishikawa’s The Jungle Book 
2010: Manga Classics’ The Jungle Book by Julien Choy (definitive manga adaptation) 

Tuesday 5 January 2021

Sawmill Alley Hunters: Characters

The characters of Yoshimasa Ikeda’s Sawmill Alley Hunters

Joseph Wilton: A proud and arrogant poacher from Chicago, Joseph Wilton has been hunting bears since he was a teen labourer. Later on, he poached a bunch of lions in the troubled borders between Congo Kinshasa, Rwanda and Uganda, plus a bunch of hungry, starving tigers in both Sumatra, Indonesia and the Malay Peninsula. 

Frank McConaughey: Joseph Wilton’s friend, also from Chicago. 

The Recurring Characters 

Jibril Ali Majid: A Malaysian of Mandailing descent, Jibril saw his wife and teenaged daughter get attacked by a hungry, starving tiger, who unfortunately lost his old dad to cruel poachers. He surely knows that, as revenge isn’t totally good, he frankly tries to tell Joseph about leaving the hungry, raiding tigers alone, but Joseph never really cares about anything. Instead, he then shoos off the main tiger and reluctantly shoots him twice onto his vulnerable belly, while Joseph, much to his dismayed confusion, rips off the poor tiger’s head, slices off his tail and cuts off all the four legs out of his body. 

Abu Hassan: Jibril’s Johor Malay friend.

The Named Animals 

Dakhm: Dakhm is a cunning, erudite Bornean Orangutan trying to survive being attacked by poachers in Sarawak. Fortunately, after he was drunk on honey while being unhappily trapped in a crate, he is reluctantly sent off to an old New York State zoo, although he sadly misses his own jungle homeland as a result. His name meant ‘bulky’ in Arabic, fitting his big cheeked dominant male status.

Muftaris: Muftaris was the male tiger of ‘The Malaysian Beast Files’. His name meant ‘devourer’ in Arabic, decently fitting his occasional man eating periods when he was injured and there are too many raiding humans around. He gained his moniker when he and his old mum Sharisa got injured by really mean poachers, who killed the former, but not the latter, as it was she who herself partially ate the weakest poacher out of starvation and ironically survived for a while. 

Khalsa: Khalsa was a cunning male leopard, whose would be mate was Jazeera. 

Fazaea: Fazaea was a foulmouthed and dangerous Malayan hairy rhinoceros. His name meant ‘scarecrow’ in Arabic, fitting his hairy body. 

Faisal: Faisal is a scary, though cute looking, Malayan sun bear. 

Urutu: Urutu was a strong old lion who had survived battles with fellow lions, but not so with vile poachers regardless of nationality, skin colour or ethnicity. His name meant ‘pain’ in Kinyarwanda, fitting his dangerous and strong personality rather well. He gained his moniker when he unhappily lost his fellow lion friends, themselves ironically old bachelors, and lot of his favourite prey to poachers. As a result, he was hungrily looking for more food, but reluctantly found civilian humans to be a sucky snack, since there were poachers nearby. Unfortunately, poor Urutu, along with his estranged grownup offspring, was shot in the belly by Joseph and then had his fur pelt being sent into the Chicago Museum later on. He had two older named daughters (Ubwiza and Umudamu) and a younger named son (Ubujura), who are all from a favourite mate of his. 

Uburakari: A grouchy yet vulnerable black rhinoceros, Uburakari frankly didn’t care about anyone except for his rather poor sight. His name meant ‘foul temper’ in Kinyarwanda, fitting his survival induced personality. 

The Gonya (Ingona) mafia: A mafia of Nile crocodiles led by croc boss Igipimo, whose name meant ‘scale’ in Kinyarwanda. They were shot by Joseph and his gang.

 



Friday 1 January 2021

Collecting Japanese Books

Japanese books are a large passion of mine. 

I got the Magical Popcorn book from our local street library. 

I bought the Hinagon books at Hondarake, once I found out that they were there. 

*From May 2022 onwards, I’ve already got reprint volume 2 Shōnen Buruuba by the fabled doujinshi reprinting circle Apple Box Create (アップルBOXクリエート), but it still pains me so much that mum and I couldn’t buy reprint volume 1, just as it already got sold out on Mandarake last year during mid-pandemic. We’ll request for volume 1 of Shōnen Buruuba by Apple Box Create again, this time for Christmas 2022 or the next few years. 

On December the 5th, I have seen the first of perhaps 3 proposed Zamba volumes, which got sold on Yahoo Auctions Japan already. I will simply wait until 2025 to get it and two other future volumes if I can mail Apple box create.  

I bought Son of the Dawn, thinking that it was a jungle boy manga, when in fact it was a depressing civil war manga. Ehh? It’s an interesting read, as it may have been an unofficial basis for the infamous Nepalese movie Jungle Love. 

Nowadays, since May 2023, I’ve got a pair of Kenya Boy manga volumes on my shelf. With the second Shōnen Buruuba volume sitting on top of them.